The Contemporary Jazz Pianist Vol.3

Charles Colin | 1985 | English | ASIN: B000EN2FP6 | PDF | 127 pages | 36 MB

During the early 1970's the art of the solo jazz pianist, relatively dormant since the death of Art Tatum, experienced a reawakening of surprising dimensions. The success of the concert performances and ECM recordings of Chick Corea and Keith Jarrett undoubtedly contributed to this phenomenon and, perhaps, did much to initiate it. The stylistic range of the musical flowering which resulted, however, could hardly have been anticipated. In addition to rediscovering the awesome two-handed abilities of Tatum, Earl Hines and Fats Waller, the melodic and rhythmic power of Thelonious Monk and Bud Powell, and the prophetic contributions of Lennie Tristano and Bill Evans, the pianists spearheading the new solo piano ¡®revival1 have increasingly incorporated musical vocabulary from 19th and 20th century European composers as well as that of folk and ethnic musics from throughout the world. There are. today, nearly as many different solo piano styles as there are improvising pianists.

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